The Cat in Cassis

Things have a way of coming together when we are in our element. Time is elastic and we travel in the past and future while reveling in the present. Things unsettle, settle, shift, and expand. Reclamation, reconnection, and resurrection. A vision of the future opens anew and trust in the goodness it holds rises. Have you ever lost your confidence without realizing it? Walked around apparently dribbling it until a good friend asks where it went and you freeze at the truth of its disappearance? It has to be somewhere, you think, then trace the steps back holding your breath at the sights of erosion along the way. Seeing them enlightens even if it hurts.

What am I trying to say? that beautiful days along the Mediterranean swimming and floating in the sea, reading a book, reflecting, jotting, drawing, watching others’ pleasure, eating and sleeping well, exploring the coast line, and being visited by a cat can stitch shredded stories into a new one with threads of confidence. Probably for anyone, beautiful days doing what you love in places you love can do that.

An uninvited white cat came into my life along a river in the center of France thirty-some years ago and stayed nearby for almost two. Coming to the bedroom to wake me in the morning, accompanying me to the mailbox, through the garden on daily flower checks, then curling up nearby on the table as I wrote. I fell in love with him while I resented having been gifted the responsibility–he was a present to my lover, who eventually became my husband, from his son. I encouraged the cat’s freedom and his jauntiness. I fed him and caressed him. A neighbor who once shot and injured him finally succeeded in killing him. (A man whose father killed cats and whose mother was then killed by a cat’s scratch on her ankle.) I learned about the sight of the beloved white cat’s bloated corpse some weeks after returning from my honeymoon when my husband finally told me he had found his body floating in the river on our wedding day and had spared me that news. That loss was a bigger blow than I anticipated. Soon after, I became pregnant. As soon as our son could play with things, he played with the stopper and chain of the bathtub, just as that cat loved to. I told myself he was back. Our son never liked hearing that. yet he, too, became a writing companion, in his way, napping nearby as I wrote, accompanying me on garden tours, waking me in the morning, and always over time encouraging my writing.

I eventually left the marriage. A lot of confidence eroded during those years without my realizing it. And there was a lot of France in those years, too. After loving it, I disliked it intensely for a while – but that was more about people and systems than the place. Alone with the nature of it, I felt high. I wondered if I could come back. If I could be comfortable here.

When I arrived in Cassis recently, I went to Préambule, hailed as the last bookstore before the sea. A paperback seemed to jump into my hands – Frédéric Ploquin’s EPSTEIN, Les secrets de la filière française – a loose translation is The Secrets of the French Network – or it could also be the French Supply Chain, which is more appropriate to its contents. I turned it over and saw Jean-Luc Brunel’s name–the man I mentioned in an earlier post, “Lucy and the Epstein Files” – a man I spent some time with and wrote about and who received something else from me than what he wanted.

I bought the book and learned more about his life, arrest, imprisonment, and death. I saw within it the names of other French and American agents I had met (also fictionalized in Lucy, go see.,) and friends of Brunel, and Epstein I dined with in Paris, and throughout those pages I visited again the apartment and places where I and many others went with Brunel. I was struck by his honesty with me and his lies to the investigators. He was unaware I was investigating him in my own way. I’ve only thought recently about how that time with him turned me away from building a life in Paris I was imagining then, and once again away from the modeling world for a while. All those years he was hurting girls and women, and then, finally, at over 70 years of age being held accountable for it. It surprised me how long he lasted in jail, but not that his last attempt at taking his life was not his first. One could say that all that information was lost with him, yet had he lived, I doubt he would have divulged any of it. He lied on the stand until the end. I’m still thinking about the things I read, and about Daniel Siad, who also died young suddenly and recently, who also was part of that network/supply chain, and how it appears that no one other than Ghislaine Maxwell is being held accountable in the US. Even more than all this, as much as I would like to see all perpetrators brought to justice, I wonder how much trafficking is still going on while eyes are trained on the past.

What will it take to stop abuse?

I thought about that in Cassis as I swam in the mornings, and floated and bobbed in the clear turquoise waters. I am sure it involves talking about it. I thought about Rilke’s mention that we pass information about sexuality along in an unopened envelope from generation to generation. I read during the hottest hours, looking out at the sea from the air-conditioned hotel room. In the evening I ate delicious fish and then I swam, floated, and bobbed again as the sun set, watching it highlight the terra cotta cliffs and the limestone 13th century chateau. I finished the book on the terrace using my phone for light while the full moon rose. Then I took a long bath and had a great sleep.

In the morning, I opened the terrace door to let in the sea air. As I snapped a few joyful selfies in bed, I felt a presence scurry by and turned and saw nothing. Some moments later, a white cat came purring, jumped into the bed, and pawed me, looking for caresses just as that beloved cat had done decades ago. He even looked like him. I caressed his neck, face, belly, and slithered his tail, and he curled into me and purred deeply. My body recalled the cat and life I loved, made, and left., as I remembered how the shedding hair annoys me. To feel again the breathing together resounded something unnameable and primitive in me. When I left to swim, the cat spread himself across the top step of the spiral staircase leading to the room, right at the gate, like a sentinel. And when I came back from another delicious frolic in the sea, he was still there. By the time, I left to check out, he was gone, without a farewell, and I was okay with that.

I stayed in a different hotel that night, and explored another beach. Boaters that evening brought memories of childhood summers on Frentress Lake and swimming there, too, in the morning, afternoon, and evening, families and friends gathering for beauty and pleasure. Barefoot amid roots, stones, and earth, the sea evaporating from my skin in the sun, I felt sparklingly alive.

A year here now, I can say that passing through here anew, living here, has reminded me who I am, was, and am becoming–an unexpected gathering.

The cat reunion stays with me. As does the sea. I close my eyes and feel its colors and freshness swirling in me. This week I return to work at The American College of the Mediterranean, as the Chief of Staff, a promotion. I’m so grateful.

I’ve read that confidence is innate and gets covered up, also that it is built with courage and patience. I wish I had clear-cut answers to the questions posed here. I just wanted to tell you about the cat.

Thanks for your time and reading. I’m glad you’re here. Marianne

Authorless

While I write by hand in a plaza in AIx-en-Provence, some sort of machine plumbing the information in cyberspace is the author of this exploration of my writing and who shares its style. Michelle and Kristin were new to me so I am getting to know them. Ocean, Joan, Claudia, and Patti have all been in my library.

Marianne Maili is an author and professor known for her lyrical, poetic, and uplifting writing style that blends memoir, fiction, and philosophical reflection.  Her work often explores universal themes such as home, love, loss, motherhood, and womanhood, frequently using a non-linear narrative structure that moves back and forth in time and place. 

Her notable works include:

  • I am home: A memoir-in-moments that examines the meaning of home and transforming grief into beauty, written in short, poetic chapters without proper names to center the work on universal human experiences. 
  • Lucy, go see: A novel following a young woman’s journey as an international model, exploring female sexual agency, independence, and the courage to follow one’s dreams. 

Readers and critics describe her prose as beautiful, inspiring, and insightful, noting her ability to balance profound topics with humor and elegance.  Maili’s writing is often characterized by its vivid imagery and its focus on finding beauty and connection amidst life’s challenges. 

Authors who share Marianne Maili’s lyrical, poetic, and fragmented style—particularly her use of memoir-in-moments and vivid imagery—include:

Ocean Vuong His memoir On Earth We’re Briefly Gorgeous is written as a series of poetic letters to a mother who cannot read. Like Maili, Vuong blends memoir and fiction with a focus on grief, family, and identity, using lush, metaphorical prose that prioritizes emotional resonance over linear chronology. 

Michelle Zauner In Crying in H Mart, Zauner employs a lyrical, sensory-driven narrative to explore grief and cultural identity.  Her writing, much like Maili’s, anchors profound emotional themes in specific, tangible details (particularly food and memory), creating a poetic meditation on loss and belonging. 

Joan Didion Specifically in The White Album, Didion utilizes a fragmentary structure similar to Maili’s “memoir-in-moments.” She weaves together reportage, memory, and self-scrutiny in short, disjointed essays where the gaps and discontinuities themselves carry meaning, mirroring the non-linear flow of Maili’s work. 

Claudia Rankine Her work Citizen: An American Lyric blends personal experience, cultural observation, and visual imagery into a layered meditation.  Like Maili, Rankine moves through vignettes and uses a non-traditional narrative structure to explore themes of identity and belonging, balancing the personal with the universal.

Patti Smith Her National Book Award-winning memoir Just Kids is frequently described as a lyrical memoir. Smith’s prose is poetic and reflective, focusing on memory, art, and deep connection, capturing the essence of a time and place with the same elegance and emotional depth found in Maili’s writing. 

Kristin Hannah For the richly detailed and dramatic aspects of Maili’s storytelling, Hannah’s historical fiction (such as The Four Winds or The Nightingale) offers a similar lush, emotive style that balances hardship with beauty, though often within a more traditional narrative arc. 

Annie Ernaux and I in a similar vein

I began reading Annie Ernaux in the early aughts, and since have read all of her books. Reading her in French was like walking through a door I was unaware existed and doing it with a French person like no other I had known or met. Her honesty and observation inspired me. Her writing about her life–or her life-writing (as it now sometimes called, which makes me smile because what other kind of writing is there)–made me feel akin to her.

The other day while searching online for sites where I am home. is offered, I saw this screenshot below. Imagine how I felt when seeing I am home. above a line-up of Annie Ernaux’s covers, and above them, a message telling the viewer that folks who shopped for I am home., also shopped for

her books. This encouraged and heartened me to keep on keepin’ on.

I wrote to her once, way back when, and she answered, and I still have that cherished letter. Seeing her awarded the Nobel in 2022 was deeply moving and quietly thrilling, this recognition of her work told me that the world was changing.

Making art of life has always been my aim–on and off the page. It’s an honor to see my work on the same page as hers. Our work could be called kin.

Thank you for reading,

Marianne

INSIDE THE CREATION OF LUCY, GO SEE.

Thanks again to Christal Ann Rice Cooper for featuring me in her “Inside the Emotion of Fiction” series. Click below to read about all the places where the novel was written and to enjoy more insider info.

Living, aging; what are you doing?

I am tired of seeing and hearing the word aging.

Living, people, that is what we are here to do.

I am living in France since late August after 875 fabulous days of living in Spain.

I came here to represent the Office of the President at The American College of the Mediterranean and I am glad I did.

Some days ago, I began reading the notebooks in which I wrote and drew during the Barcelona days. It’s wonderful to be inspired by that Marianne who dared to return to Spain without knowing how it would all work out.

Aix is inspiring me, too.

I popped in to say HI – (my new abbreviation for Human Intelligence).

Since I began working at ACM-IAU aka The American College of the Mediterranean-Institute d’Universités Americains, life has been filled with newness and learning. Less posting, too.

I love to put together images to share with you, and that takes time, and today I will post with less images than I would like, because I want to post something.

Still writing.

Still heartened to see Lucy, go see. and I am home. moving in the world, being read, talked about. Still dreaming about translations and films.

Repeating the phrase Je veux encore jouer daily.

Sketching, snapshotting, looking at it all.

Also working on the delicious project of tasting and ranking French desserts.

Doors, stone heads, shafts and splashes of light. Virgin vines (les vignes vierges have a different translation, but I like this one). I enjoy these things and so much more in Aix.

It’s a curlicue place. Water running everywhere under the surface, making man-made structures lopsided, floors curvy. Immense plane trees, pines, cypress, walnuts, chestnuts. Ochre stone, a city chock-full of centuries of stories. Heads were chopped off here in a beautiful plaza in front of a church and stone heads adorn intricately carved wooden majestic doors. Places fit for royalty, archbishops.

Strange note to end on but there it is, thought about constantly as I walk through the city-center’s labrynth of wonder.

Here’s a slide show for you, quickly clicked together. A smattering. I hope you enjoy it. Thanks for your attention. Love, Marianne

mi amiga marianne

February 11, 2025. Barcelona, in the evening. A chime on my phone, I saw the link you see below and under it the words mi amiga marianne, then another chime: Hello Marianne. I listened to your rendition of the prelude, and first chapter of Lucy go see. It was a beautiful experience. Your writing is beautiful and powerful. You are a good writer… and a brave one! I shared the podcast with some friends…

I responded: Such good timing you have. I was writing when I heard your message come in. working on writing myself right, as I sometimes call it. Feeling down and writing, too, about writing, and all the time put into it and wondering if it mattered much–and then I saw this. Thank you very much. It means a lot and especially coming from you. Thank you so much too for sharing it. I’d so love to move this story further and wider into the world. A really big hug. I hope you are having a good start to your week.

As did she: The timing is not mine…probably🥰😅 Imagine….I read/listened to it early afternoon… and had to reflect a bit afterwards… powerful words… I shall buy the book. I thought you could try a public reading with your students…you do a superb job reading your novel… you are a good interpreter of “Lucy”… but personally I think they may not be ready for your honesty… and they may misuse the sacredness of it. I am afraid for you, but you know best… Am afraid of the superficial nature of some youth. On the other hand, you could help them tremendously… because of your experience and the healing over the years… you talk about it with great insight and wisdom.

The “it” my friend refers to is a sacred understanding of sexuality.

My friend is a sister of the Congregation of the Sisters of Charity of the Incarnate Word of Houston, Texas, and a pediatrician. We met in a nearby café in Barcelona soon after I moved into this neighborhood in the fall of 2023, and we struck up a conversation. Within it, I learned she had returned to Barcelona after more than two decades in the USA, to care for her mother, who was in her early nineties. It was remarkable to me that I, after returning to Barcelona after my years in Iowa with my mother during her last years of life, was meeting a Barcelona woman who had returned to her hometown to do the same, after living decades in Texas, and who was talking of a future return there. We talked about that and many things including spirituality, sanctuary, sacredness, swimming, and the themes of wound, eros, and voice that are prevalent in my work. (We have continued this conversation ever since.)

You probably guessed I am a nun, she said.

No, I said. Why would I?

My collar, she said, lifting her shawl. To me a lace collar, nothing more. My cross, she said, holding the pendant around her neck.

It’s pretty, I said.

You probably already have many friends, she said.

Never too many, I said.

A few weeks later, she sent me an article she had written about vulnerability, wounds, and wisdom that I’d like to share with you:

https://issuu.com/joanofbark/docs/e_news_-nov_21_n_n_2

Our friendship continues to flourish, enrich, and reveal what can easily be seen as divine timing and connection.

I was grateful this week to be reminded through her that what means so much to me is worth doing, and it will continue to be surprising in its revelations. This is one of the stories of how it has moved and moves in the world.

Thanks for reading. May you marvel at your life, and this world.

It’s just one of those things.

You could probably say this about moments of your life while on your way home and it would be true for you, too.

This page comes to mind often. It used to be in I am home. and for a while was the opener. After moving it around, I decided it was unnecessary, yet it comes back. Always playfully and in mystery, and especially living here in Catalonia right now. Always when readers mention moving around in the story at ease. What songs would your heart sing if you played it like a xylophone? What patterns and colors do you see when you look into the kaleidoscope of your life?

Thanks for coming. Thanks for being here. Wishing you wonders.

Some words on I am home. from Utah.

I shot this photo in February 2023, while visiting Bryce Canyon with a friend. It was a trip I wanted to make before leaving the country. And it was amazing and fun to do it in such great company. Maybe my third or fourth time in Utah, a state I came to love on my travels. During this trip, I was carrying the first advanced copy of I am home. with me, to show my friend. It was a celebratory trip. On my other travels through the state, the manuscript was resting while I explored on my own, and often those trips were celebrations of another draft finished. So, when I woke up on Thursday and read the following message from Utah, my heart filled with gratitude for connecting to a reader amid images of all the beauty of that state.

 Dear Marianne, You inspire me to be more aware and appreciate each little moment as I navigate through this next 50 + yr old woman-chapter of my life. A recent shift & desire to broaden my perspective has also increased my awareness to the impact of each & every small act. Have you been told that you have a crazy cool peaceful optimism about you?  In your book I am home. … it blows my mind how little you’ve written perhaps on any given page, yet there is so much in it!! Your vocabulary, writing and savvy are thrilling to me. The memories you’ve shared spark deep emotion. I love that you’re helping me be cognizant of the amazing life I have and the wonderful wild world we live in. Thank you so very much!!

Ask your favorite Indie Bookstore or click below and in celebration of Independent Bookstore Day shipping is free all weekend.

I am home. for Christmas, on Main Street, at River Lights in Dubuque.

Stop in at River Lights and do all your Christmas shopping this year. This is one of my favorite bookstores in the world. It’s about more than books, just like books are. Find great gift ideas in every corner of the store and enjoy the warm and welcome atmosphere. I am thrilled that I am home. is on the shelves in this place where I feel very much at home. The setting for I am home., this non-fiction tale, is Dubuque, Key West, and many other places in Iowa, Illinois, and Wisconsin, and across the United States of America. You can also travel to Iceland, France, and Spain within. It’s a story that shows it is possible to go home again, and to leave home again, and to carry it with you always, and have a great time doing it despite all the challenges. You will laugh and you will cry. And maybe even think about things in a different way. It is a gift of light and love, this book, and thus fits with the season.

After you leave the bookstore with all your Christmas shopping in the bag, stop and enjoy other great places nearby like L. May Eatery, Salsa’s Mexican Restaurant , and Jitterz, where I wrote a lot, and had great conversations. I miss all that. I’ll be back.